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The Iron Mine, Port Henry, New York
ca. 1862
Homer Dodge Martin
Born: Albany, New York 1836
Died: St. Paul, Minnesota 1897
oil on canvas mounted on fiberboard
30 1/8 x 50 in. (76.5 x 127.0 cm.)
Smithsonian American Art Museum
Gift of William T. Evans
1910.9.11
Smithsonian American Art Museum
1st Floor, West Wing
The iron-ore bed in Craig Harbor near Port Henry, New York, was one of the richest veins in the northeast. Earlier artists had pictured America's mountain peaks and virgin forests, but by midcentury, the railroads, mines, and oil fields were the new and exciting scenes to paint. From a mineshaft that looks like a bleeding wound, tailings stream down the side of the cliff to the water, where ore was loaded onto barges. Nearby were the blast furnaces of the Bay State Iron Mine Company, which supplied the steel for America's railroads. Railways in turn carried more raw materials to the nation's burgeoning factories. Painted during the Civil War, Martin's canvas quietly asserted the primacy of the North, whose strength lay in its natural resources and manufacturing.
Exhibition Label, Smithsonian American Art Museum, 2006
Read research notes for The Iron Mine, Port Henry, New York. (pdf)
Keywords
Architecture - industry - mine
Landscape - mountain
Landscape - New York - Port Henry
Landscape - rocks
Landscape - water
painting
paint - oil
fabric - canvas
fiberboard - support added
About Homer Dodge Martin
Born: Albany, New York 1836 Died: St. Paul, Minnesota 1897
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