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Black and White Tipped Flower

1982 James Surls Born: Terrell, Texas 1943 burnt white oak approx. 57 1/2 x 39 x 37 in. (146.0 x 99.0 x 94.0 cm.) irregular Smithsonian American Art Museum Museum purchase and gift in honor of Adelyn Dohme Breeskin from her friends 1986.52 Smithsonian American Art Museum
Luce Foundation Center, 3rd Floor, W310


Gallery Label

Black and White Tipped Flower captures the tornadoes, black earth, and tenacious animal energy of the Piney Woods of southeast Texas. Surls grew up in a house that his father built, and his art comes out of a lifetime of working with hand tools and "making do." He believes that everything he creates is both a self-portrait and an image of the land that shaped him. Flower is scary and comical, an animal-plant-man-creature rising from the thickets and looking for a mate. It calls to mind Surls's goal to be "a hump-backed beast with golden hands," unafraid to tap into the life-force of his home ground for images that tickle and terrify.

Exhibition Label, Smithsonian American Art Museum, 2006

Luce Center Label

Black and White Tipped Flower evokes the tornadoes, black earth, and tenacious animal energy of the "piney woods" of Southeast Texas. Surls grew up in a house that his father built, and his art comes out of a lifetime of working with hand tools and "making do." He believes that everything he creates is both a self-portrait and an image of the land that shaped him. Flower is scary and comical, an animal/plant/man-creature rising from the thickets and looking for a mate. It calls to mind Surls's goal to be "a hump-backed beast with golden hands," unafraid to tap into the life force of his home ground for images that tickle and terrify (Morgan, "James Surls: Sculpture," Dialogue, July/August 1988).

Keywords

Abstract

Object - flower

sculpture

wood - oak

About James Surls

Born: Terrell, Texas 1943

More works in the collection by
James Surls