The Solidity of the Road to Metaphor and Memory

Misha Reznikoff, The Solidity of the Road to Metaphor and Memory, 1934, oil on canvas, Smithsonian American Art Museum, Gift of Peter and Michael Reznikoff, 1993.20
Copied Misha Reznikoff, The Solidity of the Road to Metaphor and Memory, 1934, oil on canvas, 30 1⁄2 x 40 3⁄8 in. (77.5 x 102.6 cm.), Smithsonian American Art Museum, Gift of Peter and Michael Reznikoff, 1993.20

Artwork Details

Title
The Solidity of the Road to Metaphor and Memory
Artist
Date
1934
Location
Dimensions
30 1⁄2 x 40 3⁄8 in. (77.5 x 102.6 cm.)
Credit Line
Gift of Peter and Michael Reznikoff
Mediums
Mediums Description
oil on canvas
Classifications
Keywords
  • Figure group
  • Fantasy
  • Architecture — industry — railroad yard
  • Literature — Cummings
Object Number
1993.20
Linked Open Data
https://edan.si.edu/saam/id/object/1993.20

Artwork Description

The inscription “Neutrality Agreement” on the back of this painting implies that the image is about America’s involvement in Europe’s growing conflicts. It shows three strange figures, shaking hands across a train track. The person on the left thinks he is holding the hand of the figure directly opposite, when he is actually making a deal with the headless creature behind. This, together with the train tracks that lead nowhere, suggests that the “agreement” is a farce and holds no true meaning. Misha Reznikoff saw firsthand the devastation and misery of World War I during his childhood in Russia. This cast of surreal characters suggests that he saw no sincerity in the “deals” made between world leaders.