ca. 1980 Joyce Scott Born: Baltimore, Maryland 1948 glass beads on synthetic thread 14 1/2 x 10 x 1/2 in. (36.8 x 25.4 x 1.3 cm) Smithsonian American Art Museum Gift of Eleanor T. and Samuel J. Rosenfeld in honor of Kenneth R. Trapp, curator-in-charge of the Renwick (1995--2003) © ca. 1980, Joyce Scott 2003.58 Not currently on view
Hear more about
Luce Center Label
Joyce Scott associates her beadwork with American Indian, African American, and West African cultures. Scott grew up in Baltimore and trained in fine art and art history. Drawing on past generations of craftspeople in her family, she adapts the traditions of handcrafted beadwork to create edgy imagery that often suggests issues of race and gender. The expressive faces in Africa appear to tell a story, but Scott invites us to form our own ideas about what the piece means. She used the "peyote" stitch to craft the necklace, a technique that derives from American Indian beadwork. The name comes from the peyote cactus, which is eaten during spiritual ceremonies with a beaded utensil.
Ethnic - African
decorative arts - jewelry
Crafts - Glass
About Joyce Scott
Born: Baltimore, Maryland 1948
More works in the collection by
Blogs, Podcasts, and More
- Eye Level: American Art in Dialogue with Africa and its ...
- Eye Level: Symposium: American Art in Dialogue with Africa ...
- Eye Level: Through a Glass, Clearly: Art Glass @50
- Eye Level: Stop-Loss: Restoring the Aaron Douglas Murals at ...
- Eye Level
- Eye Level: Behind the Scenes: Preparing an Artwork for ...
- Eye Level: The Best of Ask Joan of Art: Jacob Lawrence
- Eye Level: In This Case: African American Artists
- Eye Level: Site Specific
- Eye Level: Pop Art Prints: A Closer Look at James Rosenquist